The legendary Shure SM57 is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording. In the studio, it is excellent for recording drums, guitar, and woodwinds

The legendary Shure SM58 vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. Its tailored vocal response for sound is a world standard for singing or speech

A switched version of the famous SM58.

The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals

The BETA®27 side-address condenser microphone is precision engineered for professional sound reinforcement and project studio recording applications. A tight supercardioid pattern ensures high gain-before-feedback and maximum isolation from other sound sources

The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels

The Shure BETA®56A microphone has a frequency response specifically tailored for drums and instruments.
Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds

The Shure BETA®57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration

The Shure BETA 58A® is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide

The Shure BETA®91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications

The Shure Beta 98A configurations feature high sound pressure level capability (SPL). Beta 98AD/C includes A98D drum mount with flexible gooseneck that makes it an essential, accurate choice for toms, snares, and percussion. Beta 98A/C is recommended for a variety of acoustic or amplified instruments including drums, piano, reed, wind, and strings

The Shure MX412 microphones bring a whole new meaning to the word flexible with their fully adjustable gooseneck. For a wide variety of applications, such as houses of worship, courtrooms and conference centers

An unmistakable stage icon for 70 years, the Shure 55SH Series II Unidyne® Vocal Microphone features a signature satin chrome-plated die-cast casing for pure vintage look and feel with modern acoustic components to meet today's performance standards. This microphone is excellent for vocal pickup with its characteristic Shure presence peak

Compact dynamic cardioid instrument microphone. Transmits high SPLs without distortion. Compatible with toms, snares, and percussion. Clips-on quickly and easily wherever you choose. Tough, reinforced housing, and clamp

Super-cardioid silver instrument microphone designed for miking guitar cabs face-on and extremely close to the source. Provides isolation from other onstage signals. Also suitable for miking drums, especially toms

The e 906 captures the guitar sound just as you want it to be: from clean to distorted, from gentle to aggressive. It provides a high-resolution, natural sound without unwanted coloration. The transient response of the e 906 convinces in every style: it even transmits riffs with an extremely hard punch directly and straightforward

Used in almost any kind of permanent public address forum such as lecture halls, conference tables or meeting rooms, the PCC-160 is a top-of-the-line supercardioid boundary microphone. For the stage floor or the desktop, the PCC-160 is the mic you're looking for

The M 88 TG is one of the most frequently specified microphones by sound engineers worldwide and heralded a beyerdynamic contemporary classic as this microphone becomes renown for capturing emotive audio signals

Designed for high-quality sound reinforcement in a super-compact design, the small-diameter, 12.20"-long gooseneck delivers flexible positioning with a sleek, low-profile appearance. Its integral power module requires 11-52V DC phantom power. The mic's low-profile element provides a narrow MicroLine® polar pattern with 90º acceptance angle

90 cm/3 ft. extension tube between capsule and C480 B

The SE300 B is the pre-amp for the Blue Line Series capsules CK91, CK92, CK93, CK94 and CK98. This system is designed for excellent audio quality and maximum flexibility. Its robust Modulock™ bayonet coupling allows quick and easy changing of the capsules. The state-of-the-art electronics design ensures high RF immunity in critical environments

The C451B is a small-diaphragm condenser microphone.With its airy sound, high overload limit and improved engineering details, the C451B continues the success story of this legend. The roadworthy design around the handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions

The C568 B professional small condenser capsule combines high directivity and a wide frequency range. It is a perfect tool for theater, sound reinforcement and film/TV applications. Due to its compact and lightweight design, the C568 B is ideal for camera-mount use

The AKG 414 has high sensitivity and extremely low self noise; five switchable polar patterns for placement and application flexibility. A reference-quality microphone especially used for accurate, beautifully-detailed pickup of any acoustic instrument

The C411 is a miniature vibration pickup for acoustic guitar, mandolin, violin and most other string instruments. Its integrated condenser capsule will reproduce the sound of the instrument clearly and without coloration. The C411 ultralight pickup can be easily attached on or near the bridge with the included nonmarking, solvent-free adhesive pad without changing the balance of the instrument

The C418 miniature condenser clip-on microphone has a specifi- cally tailored frequency response for drum and percussion miking applications and is an alternative to the C419 for loud trumpets. Its hypercardioid polar pattern rejects leakage from nearby instruments